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My name is Kyle Evans and I am a freelance sound recordist, boom swinger and sound editor based in Melbourne, Australia. My work encompasses film & TV production, live events, podcasts and radiojournalism. My favourite sound in the world is that of a medium-sized dog racing across muddy grass after heavy rain.

Location Sound Kit:

  • Field Recorder & Mixer (Sound Devices 744T + 302)
  • Shotgun microphone (Sennheiser MKH-60)
  • Super-cardioid microphone (Sennheiser MKH-50)
  • Long shotgun microphone (Sennheiser MKH-816)
  • Blimps, wind jammers & boom pole
  • Lav microphones x 2 (Sanken COS-11D x2)
  • Lectrosonics wireless transmitters x 2 (Lectrosonics LT 614-691 MHz, Lectrosonics SMV 640-665 MHz)
  • Lectrosonics  wide-band receivers x 2 (Lectrosonics LR 614-691 MHz x 2)
  • Timecode cables for jamming (Lemo 5pin, Lemo 4pin + BNC)
  • Breakaway snake (Dual XLR with headphone return)

Additional Gear:

  • Stereo microphone (Rode NT4)
  • Handheld wired condenser microphone (AKG C5)
  • Audio recorder (Zoom H4n)
  • Micro lav microphones x 3 (Que Audio DA04 x 3)
  • Sennheiser wireless transmitters x 2 & receivers x 2 (Sennhesier EW100 G3 626-668 MHz)

Studio Gear:

  • Control surface (DigiDesign 003 Factory)
  • Reference monitors x 2 (Mackie MR8 MK2)

Sound Library:

  • Massive custom sound library (Over 15,000 files: 65% original recordings, 35% independent libraries)

Software:

  • iZotope RX5 (Audio cleanup/restoration)
  • Pro Tools 12 (Audio editing/mixing)
  • Reaper 5 (Audio editing/mixing)
  • Ableton Live 9 Intro (Sound design)
  • Unreal Engine 4 (Video game engine)

Licenses

  • Elevated Work Platforms: Scissor lifts and boom lifts (including booms over 50m)
  • High risk work
  • White card/construction induction