My name is Kyle Evans and I am a freelance sound recordist, boom swinger and sound editor based in Melbourne, Australia. My work encompasses film & TV production, live events, podcasts and radiojournalism. My favourite sound in the world is that of a medium-sized dog racing across muddy grass after heavy rain.
Location Sound Kit:
- Audio Recorder & Mixer (Sound Devices 788T + CL8)
- Shotgun microphone (Sennheiser MKH-60)
- Super-cardioid microphone (Sennheiser MKH-50)
- Long shotgun microphone (Sennheiser MKH-816)
- Blimps, wind jammers & boom pole
- Lav microphones x 2 (Sanken COS-11D x2)
- Lectrosonics wireless transmitters x 2 (Lectrosonics LT 614-691 MHz, Lectrosonics SMV 640-665 MHz)
- Lectrosonics wide-band receivers x 2 (Lectrosonics LR 614-691 MHz x 2)
- Timecode cables for jamming (Lemo 5pin, Lemo 4pin + BNC)
- Breakaway snake (Dual XLR with headphone return)
Additional Gear:
- Stereo microphone (Rode NT4)
- Handheld wired condenser microphone (AKG C5)
- Sennheiser wireless transmitters x 2 & receivers x 2 (Sennhesier EW100 G3 626-668 MHz)
- Micro lav microphones x 2 (Que Audio DA04 x 2)
- Audio recorder (Zoom H4n)
Studio Gear:
- Reference monitors x 2 (Mackie MR8 MK2)
- Macbook Pro with Solid State Drive + 6GB RAM (for running QLab)
Sound Library:
- Massive custom sound library (Over 15,000 files: 65% original recordings, 35% independent libraries)
Software:
- iZotope RX5 (Audio cleanup/restoration)
- Pro Tools 12 (Audio editing/mixing)
- Reaper 5 (Audio editing/mixing)
- QLab 4 (Theatre sound effect cuing)
- Ableton Live 9 Intro (Sound design)
- Unreal Engine 4 (Video game engine)
Licenses
- Elevated Work Platforms: Scissor lifts and boom lifts (including booms over 50m)
- High risk work
- White card/construction induction